Archive for the ‘Motivate & Inspire & Laughs’ Category

A Funny E-mail from this morning+

Saturday, November 12th, 2011
We’re a’fixin to “Strike It Rich”  Honey Bunch.
Julia
 
Insider Investment Tips for 2012
 
For all of you with any money left, be aware of the next expected 
mergers so that you can get in on the ground floor and make some really 
BIG bucks.
 
Watch for these consolidations in 2012:
 
1. Hale Business Systems, Mary Kay Cosmetics, Fuller Brush,
and W. R. Grace Co.
Will merge and become: Hale, Mary, Fuller, Grace.
 
2. Polygram Records, Warner Bros., and Zesta Crackers join forces
and become: Poly, Warner Cracker.
 
3. 3M will merge with Goodyear and become: MMMGood.
 
4. Zippo Manufacturing, Audi Motors, Dofasco, and Dakota Mining will 
merge and become: ZipAudiDoDa.
 
5. FedEx is expected to join its competitor, UPS, and become: FedUP.
 
6. Fairchild Electronics and Honeywell Computers
will become: Fairwell Honeychild.
 
7. Grey Poupon and Docker Pants are expected to become: PouponPants. 0.
 
8. Knotts Berry Farm and the National Organization of Women
will become: Knott NOW!
 
And finally….
 
9. Victoria ’s Secret and Smith & Wesson will merge under
the new name: TittyTittyBangBang

Perseverance

Monday, October 24th, 2011

Perseverence

 

From a Bob Lefsetz letter:


I’m not worried about anybody competing with me.

Because they just don’t have the dedication, they just don’t persevere.

In other words, if the first thing you’re thinking about is money, you’re doomed. It’s just too tough. Not that it’s illegal to think about getting paid, but if you don’t love what you do, if you wouldn’t do it for free, give up now. Because you just ain’t gonna make it.

The artistic life is truly about getting in your car and driving away from the action, away from the city, charting your own course and hoping the public catches up with you. And if they don’t?

You’re probably not doing something they’re interested in. Swallow that. There’s a good chance you’re not good either, but I won’t make that judgment. But the best work is done when the public is not in mind, when you’re following your own muse. And following and following and following.

I don’t know what inspired Daryl Hall to start “Live From Daryl’s House”. But I know it was about music. And music is always about collaboration. Sure, you can make that record at home alone, but how you gonna play it live? Furthermore, with a musician’s life so hard, you’d better enjoy the camaraderie, the give and take, the playing, because that’s all there might ever be.

Artists are a different breed. They’re not about capitalism, but capturing emotion. Telling an aural tale. Hooking you and me not by dunning us, but through their music. I’ve never been closed by an e-mail, especially an unsolicited one. But music? You can hear it once and get it. You’ve just got to be exposed to it.

And one place to be exposed to it is “Live From Daryl’s House”.

I used to go. In the beginning. But now that Fitz and The Tantrums was on I decided to check back. And was stunned that there were 39 episodes. Sure, there’s been some TV action recently, but that was years later. Are you willing to invest for years, with almost no financial return, just because you believe in yourself and are having fun?

I went to Daryl’s site and could now surf the archive and hear so many cuts. I could spend some time there. And this only occurred because Daryl Hall stayed at it.

Almost no one stays at it anymore. They want a quick return or they’re on to the next thing. “If this music thing doesn’t work out in 24 months I’m going to graduate school.” There’s no time limit on making it in the arts, you can work your whole life and never get noticed or be noticed when you’re sixty or be noticed immediately and then forgotten. That’s the worst thing, to have quick success and never be able to walk away, trading on it for decades, stopping not only your creativity, but your life.

A great artist grows.

Daryl is just not presenting these artists, he’s playing with them.

That’s what a musician does. Play.

All that social networking crap is secondary. One great performance can eclipse a lifetime of tweets. And if someone can find you on YouTube, they’ll spread the word themselves, they’ll discover a way, you don’t need to work it on Facebook.

You see almost no one perseveres at their dream. Certainly not once they’re out of school, when there’s little financial reward. We revere those that do.

But we’re only interested in excellence.

When we find it, we stick to it like glue. We tell everybody about it.

Don’t worry about holding on to your fans tight. They come, they go. But they’ll always come back if you produce great new work.

But that’s hard.

Can you stay in the game when no one is paying attention, when not only do you not feel like you’re going forward, but you’re locked in the Sargasso Sea?

That’s the question.

http://www…livefromdarylshouse.com/..archive.html

– 
Visit the archive: 
http://lefsetz.com/wordpress/ 

Practice Practice Practice :-) = Write A Song Now! Re-post

Friday, August 13th, 2010

I need the practice

July 27, 2010 by songwriterstipjar

Do you wait for the muse before starting to write a song? How’s that working out for you?

When I wait for the muse, it can be months between writing sessions and I know that’s not enough writing for me. I need the practice. So I no longer wait for the muse. I try to invoke the muse and try to be the muse, but most of all, I just try to write more and more often.

Regular writing in itself seems to attract the muse. But it also strengthens the creative muscle. Just like sports and piano lessons, it’s better to practice regularly than to save it up for one long session (i.e. 7 daily one-hour sessions instead of one grueling seven hour session).

Something about the daily repeated action of engaging the creative mind and putting words (or melody) to paper is the perfect practice for writing songs. Writing songs takes practice. But instead of playing scales or doing crunches, a good way to practice writing songs is to actually write a song.

A side benefit is that if you tell yourself you’re writing a song as practice, the pressure is off to create your masterpiece. And when the pressure (usually self-imposed) is off, creativity is freed.

If you’re only writing when inspiration strikes, try writing as a regular practice. And post a comment here to let me know how it works.

Musicians As Visual Artists

Friday, March 12th, 2010


Category: Music

Behind the music: Pop goes the easel Meet the rock managers who’ve spotted an opening for them to bring expertise and experience – as well as funds – into the art world

Ronnie Wood with one of his Orpen paintingsCrossover… Ronnie Wood with one of his Orpen paintings. Photograph: Alex Sturrock

Music and the visual arts have had a loose relationship for decades. From the 60s onward, bands like the Beatles, The Who and Roxy Music all had at least one member who went to art school before embarking on a music career. Others, like Tony Bennett and Ronnie Wood, pursued careers as painters in the later part of their careers.

Still, the funding and business side of the visual arts has traditionally been dominated by trust funds, the rich and corporate City patrons. There is evidence that this is starting to change. As the music business became more lucrative, so artists such as Madonna, Sir Elton John, Jarvis Cocker, Brian Eno and his ex-band mate Bryan Ferry invest much of their accumulated wealth in both modern and classical art. Even Kylie, Robbie and the Gallagher brothers have been seen in art galleries and auction houses.

Music manager and promoter Raye Cosbert thinks that the art community can gain more than just funding from the music industry – he thinks it could use the expertise and experience gained from manoeuvring some of the most successful music careers of the last couple of decades. That’s why this week he along with artist agent Serena Morton launched new art venture Morton Metropolis.

If anyone should know how to nurture the talented, but emotionally fragile, personalities that frequently populate the art world, it’s Cosbert. He has managed Amy Winehouse since the spring of 2006, and has also worked as a promoter with acts such as Blur, Robbie Williams, Lily Allen, Massive Attack and Björk.

“Developing talent, that’s what I do,” he says. “I find it and I A&R it, which I guess could be called curation.” Cosbert thinks that although accessibility to music has changed the music business, what hasn’t changed is that talent still needs to be found and nurtured. “The middle man is still important. What Serena does is to transpose my experience into the art world.”

Morton had taken Cosbert, a personal friend, to artist Gerald Laing’s studio to see his piece Belshazzar’s Feast, based on a picture featuring Raye at a table with Amy Winehouse reaching for a bottle of champagne at the Ivor Novello awards. From then on, Cosbert’s interest in the art world grew.

The idea for the project came about after a chance encounter with another music manager – Pat Magnarella, who looks after Green Day. “Pat was the first music industry person to truly spot the market,” explains Morton. Last year, Magnarella’s management signed up UK visual artist Charming Baker – giving him some rock’n'roll-style promotion – and recruited Morton to work on a US art show for them.

“I introduced Raye to Pat,” she continues. “and seeing what Pat was doing in the US got Raye thinking along the same lines.”

“The art world is ready for some new blood,” says Morton, who joined Christie’s 20th century and contemporary British arts department in the 90s and set up one of the first pop-up shows in London’s Brick Lane in 1998. “We want to make it more fun.”

Morton Metropolis is funded by Cosbert and, he says, Morton provides “15 years of eye”. The gallery opens with an exhibition of prints by Gerald Laing, including Belshazzar’s Feast, and is aptly located on Berners Street, where the Perfoming Right Society and UK Music are also situated. The company will focus on artists in their mid-careers, aiming to spot talent that has been overlooked by the more established houses. “We want to provide a safety net for our artists,” says Cosbert.

Winehouse’s manager thinks he can take the business of art forward. One thing artist managers and concert promoters know about is risk management – they understand the intricacies of profit and loss. In the same way that a record label can use the profit from one successful artist to underpin the funding for another whose music isn’t selling well enough, so Cosbert and Morton say that if they’re able to help two artists to become the new Hockney, they can afford to support other up-and-coming artists with the profit.

“Art is long, life is short,” says Cosbert. “I was tired of going to my friends’ houses, seeing Ikea pictures on the walls. I haven’t felt this excited for a long time.”

But maybe there’s more to it than that. As the internet has made music more disposable, easily transferable and downloaded for free, the visual art world may in the future become even more alluring to people in the music business. After all, you can’t download a painting, installation or sculpture.

 

Source: The Guardian

Always Possibilities - Re-post

Wednesday, December 2nd, 2009

vid00003_0001.jpg

Always Possibilities

Three rejections in one day on my manuscript was too much for me. I sat down in front of the computer and began to sob. Feelings of inadequacy felt like a sword through my heart and at that moment I decided that I wouldn’t pursue another query, but instead take it as a sign that I wasn’t supposed to be an author.

As if like magic, a text message from my best friend came through asking how I was. I replied with bitterness and negativity over my bleak situation. Instead of giving me sympathy, she told me that it made me one step closer to MY agent and that the others just weren’t mean to be. What? No sympathy? No poor, poor Kristy?

Then the very next day she had the audacity of asking me if I had sent out my new queries yet. Honestly, at that point I was about ready to burn my manuscript and call it gone. And give her a piece of mind. I didn’t, though, and replied with a simple ‘no’. When my husband asked if I wanted to ride along to the bookstore, I gave him my dangerous look. How could I possibly browse the bookstore when they all had book deals and I didn’t? I crossed my arms in front of me and answered, ”Absolutely NOT”. I stuck out my bottom lip in a pout and offered a sniffle for extra drama. It didn’t work.

He talked me into going with an offer, errr bribe, of one of my downfalls; a caramel Frappachino. I made the most of it while I sipped my misery away in the extra whipped topping I talked the Barista into giving me. Peeking through my competition, it was then that I realized something. I was treating everything as, well, competition and not looking inside of my own journey. My own possibilities. Rainer Maria Rilke is quoted as saying “There is only one journey: going inside yourself.” Was I loving the writing process?

Absolutely! Was it fulfilling me? Yes! That approval that I was asking for wasn’t coming from a true place, though. And it was then that I had the revelation that the door is always open to possibilities, and it wasn’t the agent’s doing, but me.
Walt Disney was fired by a newspaper editor because “he lacked imagination and had no good ideas.” Van Gogh only sold one painting, but kept painting. Charles Schultz had every cartoon he submitted rejected by his high school yearbook staff. And remember Walt, well Disney wouldn’t hire him either. Lucille Ball was told she couldn’t act and needed to find a new profession. Harrison Ford was told the same. “Balding, skinny, can dance a little,’ they said of Fred Astaire at his first audition. Beethoven’s music teacher declared him ‘hopeless’ at composing.

And there are countless more who continued to find that journey within themselves and succeed. But there are many of us who give in and give up. We have stifled our life because of a critic who implied we were not good enough.

“Remembering that you have both wins and losses along the way. I don’t take either one too seriously.” Carl Lewis.
There are always possibilities. So whether you are feeling down about a relationship, or lack of one, a job, or lack of a job that you love, you are closing the door on your possibilities. Don’t compete with others on what you believe they have (believe me - those that look to have the perfect relationship rarely do), but instead keep your door open to the possibilities so that YOUR job or YOUR mate will be there when the timing is right.
I have several books that will be on the book shelves very soon, however the one that I love still hasn’t been picked up. However, my door is open and I continue to pursue the agent that IS mine. It will happen and I refuse to sob in my Frappachino again.

Write A Breakout Lyric! Re-post

Sunday, November 15th, 2009

The Lyric Holy Trinity: Writing a Breakthrough Lyric by Wayne Cohen

Wayne Cohen is a veteran multi-platinum selling ASCAP hit songwriter, producer, educator, and owner of publishing/production company Stand Up Songs. He also teaches individual and group songwriting tutoring sessions at his NYC Stand Up Studio and via Skype.


Obviously, a hooky melody is what draws people to a song, but an emotionally riveting lyric is what keeps them coming back time after time.  In addition to a compelling story (which I’ll talk about later) there is a holy trinity of three elements which – to me – are absolutely paramount; this holy trinity is needed for a lyric to be engaging and interesting enough so people don’t turn you OFF.  So after you go back to work on your current song, ask yourself, is your lyric:
 
1) Universal  (Does the story express a universal emotional truth?)
2) Real  (Is it a simple, fresh, street expression of that truth?)
3) Urgent (Does the song takes place in a single emotional moment, and does the protagonist own that emotion? Does every line of the lyric come from the same emotional place?)
 
So, how did you do on the holy trinity checklist?  Unfortunately 1 or 2 out of 3 ain’t good enough if you want to have a breakthrough song.  But do not despair – you can make 3 out of 3 every time if you follow a few simple steps.
 
How to express a universal emotional truth
Some examples of universal emotional truths include heartbreak, restlessness, attraction, etc… But it’s all in how you say it.  Look at your lyric; is it in the passive or active voice?  If it’s passive, take the same song idea and flip it from passive to active. For example, you could say ‘why don’t you come back,’ but I would rather say ‘I want you to come back’ because it’s not passive and blaming.  And let’s say you want to express that ‘life is falling apart’ or you’re ‘falling off the edge of a cliff’ and ‘never going to recover from this heartbreak.’  Whatever it is, really go for it and don’t just say ‘I can’t stand this’.
 
It doesn’t have to be in first person but it’s definitely more dramatic and compelling to say things like that in the first person rather than ‘when are you going to come back,’ ‘why didn’t you come back,’ ‘it could have been so much better if you had blah blah blah…’ There can be a passive part of the song, could be the bridge, however people aren’t generally drawn to songs that are passive.  There are so many different forms of entertainment competing for your audience’s attention.  Changing from the passive voice to the active voice can make your lyric much more immediate and appealing.  A listener will be engaged way more if the protagonist of the song is passionate about what they are expressing as opposed to blaming the other who the protagonist is singing to.
 
So, ask yourself: Is your song’s emotional story universal? Is the theme of the lyric consistent?

 
Keep it Real

This is so important!  I like to imagine myself as the character in the song, and I really try to forget about everything else in my life.  If somebody’s calling me and inviting me to a gig or whatever I try to ignore all of it and just think, “what is that person in the song going to be thinking about?”  Whether it’s ‘wish fulfillment’ or how ‘things feel different now…’ How’s that going to feel?  I find it’s a lot easier to come up with the lyric ideas if you are literally that character of your song.  Its method acting that I find works, much better than saying to myself, ‘hmm now I have to write about such and such a subject’ which I find NEVER works.  You’ll never get there if you think about it.  You need to feel about it.   The lyric has to sound like someone would actually say it, or it will not connect with people..
 
You have to live in the soul of the character.  Even if I’m in a different moment in my personal life – which is usually the case – I want to complete the song I’m writing from the point of view of the character.  Living in the character is of paramount importance, and it’s gotta be 100% believable.  It’s gotta be that every line in the lyric says ‘this is who this person is and this is where they are in their life.’  Because when a person hears something on the radio or in the car or an mp3, it’s gotta catch them that way, and you never know where in the song you’re gonna catch them. They may be tuning in to your song in the last line of the pre chorus, they may be turning it on the last line of the chorus, or in the bridge – you never know.  Anybody should be able to flick on your song at any point in the song and GET it. So your job is to grab and keep ‘em for the whole ride.
 
It’s a challenge, because when you’re writing a lyric you don’t want EVERY line to stand out.  Obviously, if you have a good idea for a title, you need to set it up and support every lyric – and every lyric idea has different requirements.  But there are key points – like the first line of the song, and the chorus – that have to be breakthrough lyrics.  However, if you give your audience too much to absorb all the time it can be mental freak-out time.  There have to be moments of stand out lyrics and then other supporting lines.  For example, the lyric right before the chorus could be a good point to write something simple so that the chorus stands out more.  The lyric in that place usually needs to go down easy, to keep the song balanced.
And if it comes naturally, by all means make it ‘street.’  Adele’s song ‘Chasing Pavements’ does this well.  But be careful, it’s gotta be real or it will fall flat.  It doesn’t have to be ‘street’ to be real, and if it’s not, it better be a really vivid cool expression of your universal emotional truth.  If I’m going to sing along with a chorus, I want it to be an emotion I can identify with which is fleshed out by the lyrics of the chorus – even if it’s something simple as my song “Better Off Alive.” It’s not particularly ‘street’ but it is an edgy restless twist on that old phrase ‘better off dead.’ Here’s some of the lyric and a link to the song, sung here wonderfully, by artist la Sara who I recently produced two songs for:

BETTER OFF ALIVE (W. Cohen/M. Harwood)

I WILL NEVER BE AFRAID
THERE’S NOTHING IN THE WAY OF MY GOOD TIMES
TURN IT OFF CAUSE NOW I’M TURNING ON
ALL THE CLOUDS ARE GONE CAN’T BEAT THIS BLUE SKY
JUST LIKE A DESERT THAT TURNS INTO A WATER STREAM
THERE’S SOMETHING IN THEN OUT THAT MAKES IT A BRAND NEW ME
NO POINT IN BLAMING YOU ‘COS SOMETIMES WE MAKE MISTAKES
JUST GOTTA STAND UP AND SAY

I’M BETTER OFF ALIVE
WANNA LEAVE THE DARK BEHIND
OH I’M BETTER OFF ALIVE  (BETTER OFF)
THAT’S JUST MY KIND OF PARADISE

LIFE JUST STRUCK ME ON THE NOSE
THAT ARCHETYPAL POSE MAKES ME CRAZY
NUMBED YOU TRIED TO MAKE ME UP
BUT NOW I’M WAKING UP TO THE FEELING

I CAN’T IMAGINE A TIME BEFORE WE SAID GOODBYE
TO ALL THOSE USELESS THINGS THAT CLUTTER UP THE MIND
I GUESS I’D RATHER LIVE THAN BEING SOLD A LIE
I’M NOT BUYING TONIGHT (UH UH) IS THAT A CRIME THAT’S WHY

I’M BETTER OFF ALIVE
GONNA LEAVE THE DARK BEHIND
NO I’M BETTER OFF ALIVE  (BETTER OFF)
THAT’S JUST MY KIND OF PARADISE
 
Sometimes it’s better NOT to be ‘street’ as it can put an expiration date on the song. So my advice is be ‘street’ where appropriate, but no matter what, be bold and be cool in how you express your truth.
 
Convey Urgency
 
To help get into that urgent place, sometimes I like to write down the raw elemental concepts of what I want the song to be about before I actually set a lyric.  I find that it frees me from having to worry about scansion and rhyme and I can focus on expression, and find it helps me to own the emotion instead of dotting “i’s” and crossing “t’s.” I’d like to tear a page and give props here to Julia Cameron’s breakthrough book “The Artist’s Way” (search ‘morning pages’ on Google and you’ll know what I mean).
 
Recently one of my students had a lyric about missing someone.  They had mentioned ‘I want you to be here for when the sh-t hits the fan’ or something to that effect.  My reaction is that’s not an urgent representation of the feeling.  If you are having that in your conversation, it’s a ‘secondary’ conversation in which you can afford to be cerebral.  But that does not make for an urgent lyric.  If you were having an urgent conversation with someone you care about, you would be blurting out your raw feelings, and I don’t think you’d be so cerebral.  I’d rather hear something about how you feel about them NOT being there when the sh-t hits the fan.  However that subject could be cool to use if the tables were turned and the song was about the protagonist wanting to provide comfort by saying something like ‘I will be here for you when the sh-t hits the fan’ because that has some urgency to it.
 
Two further examples of effective dramatic urgent lyrics are songs by Evanescence, and the songs of Kurt Cobain.  Their songs are so in the moment, focused in that moment, there’s no other emotion around it – you really believe and you can connect with the depth of that emotion. Check it out.
 
On another tip, and I don’t know how you feel about opera (I tend to have a love hate relationship with opera…) but the great operas tend to have storylines where the characters are so embroiled in their particular personal dramas that you are taken along for the ride, and that’s what a good pop song should do as well. A great song will give listeners the break they need from their own mundane existences. Take Puccini’s ‘La Boheme’, or check out Aretha’s amazing last minute filling in for Pavarotti at the 1998 Grammys singing ‘Nessun Dorma’ from Puccini’s ‘Turandot’ for example.  Now I don’t know what the song is about, and I’m sure this has a lot to do with the melody, and with Aretha, but I get goosebumps every single time I watch this. And it wasn’t even in her key! Look at the close ups of Faith Hill with tears in her eyes and Celine Dion shaking her head at the end of the piece..Now that’s drama.  But let’s face it, Puccini could not have written that melody without a dramatic story!
 
People are drawn to songs that take them on a wild ride. To make people want to listen to a song you have to rouse them out of their everyday lives, which is why I’m saying a lyric has to be as urgent as possible. Part of your job as a songwriter is to make sure that the listener is always engaged in a particular emotional space and not skirting around the periphery of the emotion.
So, use the restlessness in your spirit to do what you want to do, and be where you want to be, in your songs and in your life.  You have the potential to write great, breakthrough songs. 

Thoughts, questions comments?  Share them here!  You can also contact Wayne here or by writing to wayne@standupsongs.comSource: Tunecore & to view comments

What’s Going On? A Re-post

Monday, September 28th, 2009

Found this post on cafemom- Reposting

What’s going on? A potent download of cosmic energy with three eclipses have been affecting us all. Opening ourselves to new energy brings up big change at the cellular levels. Many of us have been feeling very strange. Having moments of fever and achiness and sometimes digestive problems on and off; fever, nausea, aching backs, aching arms and joints, feeling disoriented and lightheaded, feelings of inertia, panic, deep grief and sleeplessness. Some are experiencing extreme anxiety, panic, sleeplessness. This is part of the experience of the expansion.

Many people are feeling like they no longer know what to do with their lives – they know that things are changing and they don’t know exactly what to do but that they want to do something different. Others, after feeling this way for the past year, have found their paths and are moving forward with conviction and commitment. This includes people who a few months ago felt completely lost and unsure of what they wanted to do. Everyone is at their own place in Divine timing of the evolutionary process.
As you ride the waves of change, trust your instincts. Trust your guidance, trust your “gut.” Trust in your ability to discern what is your highest path and purpose. And when you don’t know, do nothing. Many are diving deep into their beings to experience the heart of their soul. We see relationships changing as people can no longer hide from the truth in themselves. This can create much confusion and upset, but know that the path within is paved with love.

You are being called to a deeper experience of yourself as you integrate the energies and open to receive your soul. You will find you cannot do what doesn’t resonate with your heart. This is causing much upset and change among many people. Everthing is going to be OK. Listen to your hearts. Spend time in nature. Retreat to gain clarity. Allow the emotions to flow through you, hide nothing from yourselves. For it is with the deepest expression of your truth that you will find freedom and clarity. Much is changing and shifting. Bring in the energies of love. Be your deepest authenticity – you are being called to greater levels of awareness.

There is a light at the end of the tunnel. Be with the earth energy, with nature in any form you can find. This will be very comforting to you. Other than that, the pain, the anguish, the fear that you go through is something that needs to be felt – it is washing through you. Bring your attention back into your heart. Do your best not to allow your mind to carry you away on thoughts that bring up despair. Be mindful of decisions you make to be certain they are coming from your deepest authenticity.

There is golden light available to all of you. Sparkling golden light radiance shining down and shimmering all around you. Know that it is there for you and create moments of happiness and joy with one another. Celebrate your divinity as you feel the vastness of your being. You are called into being your authentic expression with integrity & clarity.


Tree of life center me. Enlighten me. Give me wings to fly~

Boats In The Water - Ship Comes In = True Story About Persistence

Thursday, August 13th, 2009

One of my tasks at my last job was to counsel one of our brokers.  At our initial meet I sat across the table from him and had a set of questions prepared to help him focus on what he wanted to accomplish.  One of his goals then, nearly 8-9 years ago, is the same as his goal today although I no longer counsel him.

Karl tells me that Sean, our former broker, just placed a government contract - manufacturing job with a large company and his fee for doing that is a percentage of the job which equals $10,000 a month.  That’s a pretty good contract for a broker to land and Sean is mighty happy.  Thing is, his father and Karl where joking because Sean does not know how to quote work and must have gotten a LOT of outside help to land this job.

Moral of the story:  Keep putting your boats in the water.  We call each project we work on, spec or contracted, a boat into the water.  One day the ship does come in.  The more boats, the better chance of landing a ship contract as Sean did.  The Songs2Share program is another opportunity to get your music heard and land a placement.  Please visit the website, LOGIN and upload 1 song submission.  We want to help you move your music - forward. 

Happiness - You Want Some? Write a Happy Tune!!!

Saturday, April 18th, 2009

Happiness
From Wikipedia, the free
encyclopedia

The smiley face is a well-known symbol of happiness.

Happiness is a state of mind or feeling such as contentment, satisfaction, pleasure, or joy.[1] A variety of philosophical, religious, psychological and biological approaches have been taken to defining happiness and identifying its sources.

Philosophers and religious thinkers have often defined happiness in terms of living a good life, or flourishing, rather than simply as an emotion. Happiness in this older sense was used to translate the Greek Eudaimonia, and is still used in virtue ethics. In everyday speech today, however, terms such as well-being or quality of life are usually used to signify the classical meaning, and happiness is reserved[citation needed] for the felt experience or experiences that philosophers historically called pleasure.

Happiness forms a central theme of Buddhist teachings, which focuses on obtaining freedom from suffering by following the Eightfold Path. In the Buddhist view, ultimate happiness is only achieved by overcoming craving in all forms. Aristotle saw happiness as “the virtuous activity of the soul in accordance with reason,” or the practice of virtue. In Catholicism, the ultimate end of human existence consists in felicity, or “blessed happiness”, described by the thirteenth-century philosopher-theologian Thomas Aquinas as a Beatific Vision of God’s essence in the next life.[2] One psychological approach, positive psychology, describes happiness as consisting of positive emotions and positive activities. In most religions, happiness is the eternal reward for those who meet certain criteria.[citation needed]

While direct measurement of happiness is difficult, tools such as The Oxford Happiness Inventory have been developed by researchers. Physiological correlates to happiness can be measured through a variety of techniques, and survey research can be based on self-reported happiness levels.

Research has identified a number of correlates with happiness. These include religious involvement, parenthood, marital status, age, income and proximity to other happy people. Happiness economics suggests that measures of public happiness should be used to supplement more traditional economic measures when evaluating the success of public policy.

Research

Simple exercise, such as running, is cited as key to feeling happy.[3]

Researchers have found that about 50% of one’s happiness depends on one’s genes. This is shown by studying identical twins and learning that their happiness is 50% correlated even when growing up in different houses.[4] About 10% to 15% is a result of various measurable variables, such as socioeconomic status, marital status, health, income, and others. The remaining 40% results from actions that individuals deliberately engage in for the purpose of becoming happier. However, these actions may vary between persons. For example, extroverts may benefit from placing themselves in situations involving large amounts of human interaction. Also, exercise has been shown to increase one’s level of well-being significantly. In particular martial arts have been proven to both boost ones happiness via the benefits of physical exercise and improve a subject’s self-confidence.[3]

Michael Argyle developed The Oxford Happiness Inventory as a broad measure of psychological well-being. This measures happiness as an aggregate of self-esteem, sense of purpose, social interest and kindness, sense of humor and aesthetic appreciation. This has been criticized for lacking a theoretical model of happiness and because it is felt that certain aspects overlap.[5] Some studies suggest that happiness can be measured effectively.

Though it may be impossible to measure happiness objectively, physiological correlates to happiness can be measured through a variety of techniques. For instance, psychophysiologist R.J. Davidson has developed reliable fMRI and EEG tests that correlate to subjective levels of happiness.[citation needed] Stefan Klein, in his book The Science of Happiness, links the dynamics of neurobiological systems (i.e., dopaminergic, opiate) to the concepts and findings of positive psychology and social psychology.[6]

Correlation with religious involvement

Joy, tacuinum sanitatis casanatensis (XIV century)

There is now extensive research suggesting that religious people are happier and less stressed.[7][8] Surveys by Gallup, the National Opinion Research Center and the Pew Organization conclude that spiritually committed people are twice as likely to report being “very happy” than the least religiously committed people.[9] An analysis of over 200 social studies contends that “high religiousness predicts a lower risk of depression and drug abuse and fewer suicide attempts, and more reports of satisfaction with sex life and a sense of well-being,”[10] and a review of 498 studies published in peer-reviewed journals concluded that a large majority of them showed a positive correlation between religious commitment and higher levels of perceived well-being and self-esteem and lower levels of hypertension, depression, and clinical delinquency.[11][12] Studies by Keith Ward show that overall religion is a positive contributor to mental health,[13] and a meta-analysis of 34 recent studies published between 1990 and 2001 also found that religiosity has a salutary relationship with psychological adjustment, being related to less psychological distress, more life satisfaction, and better self-actualization.[14] Finally, a recent systematic review of 850 research papers on the topic concluded that “the majority of well-conducted studies found that higher levels of religious involvement are positively associated with indicators of psychological well-being (life satisfaction, happiness, positive affect, and higher morale) and with less depression, suicidal thoughts and behavior, drug/alcohol use/abuse.” [15]

The individual level of happiness and religiosity correlations show up when measuring within the United States, a predominantly religious country. According to a 2007 paper by Liesbeth Snoep in the Journal of Happiness Studies, there is no significant correlation between religiosity and individual happiness in Netherlands and Denmark, countries that have lower rates of religion than the United States.[16] When measuring between countries, the least religious industrialized countries such as in northern Europe have a much higher happiness than the most religious industrialized country, the US, so cross country comparisons on religiosity and happiness seem to show a societal level correlation of increased secularization and decreased religiosity to increased happiness. It may be simply that non-religious people are less happy in a religious country, but everyone is happier in more secular, less religious countries.[17]

Correlation with political affiliation

Research in the United States shows that happiness may correlate with partisan identity. Republicans are more likely than Democrats to state that they are “very happy.” The Gallup Organization states that the happiness gap has been fairly steady:

Why Republicans are happier is not clear, but the result has been the same in nearly every asking of this measure since 1996, including one reading under former President Bill Clinton, a Democrat, and three under Republican President George W. Bush. Only in 1996 did Republicans and Democrats express about equal levels of happiness.[18]

The General Social Surveys conducted by the Pew Research Center show a consistent happiness divide from their inception in 1972 through 2006, with Republican men being happier than Democratic men, and Republican women being happier than Democratic women.[19] A Pew poll conducted during the October 2008, while the Republican Presidential candidate was trailing in the polls and the economy was in decline, confirmed this trend with a gap “among the largest on record.”[20] The gap has been unbroken for almost four decades, and has been unaffected by political fortunes. Democrats reported less happiness than Republicans during Watergate, the Carter administration and the Clinton administration.[21] Among the characteristics identified as associated with self-reported happiness were income, political party affiliation, marital status, age and education. Regression analysis found that the correlation between party affiliation and happiness persisted after adjusting for “age, ethnicity, race, gender, income, marital status and education level.” Adding church attendance and health status to the regression model reduced, but did not eliminate, the correlation.[20] The authors write that “there is a growing body of scholarly research, not just in this country but around the world, which supports the basic finding of these Pew surveys: that Republicans (or conservatives) are happier than Democrats (or liberals), and that these gaps persist even after basic demographic factors have been controlled.”[20][21]

Personal goals and world view may help explain the differences in reported happiness.[21] Pew “found that Republicans are better than Democrats at aligning their life priorities with their life circumstances. Put another way: Republicans, as a group, tend to want what they already have. Democrats, as a group, tend to want what they don’t have.”[20] Republicans placed higher value than Democrats on marriage, children and religion, and were more likely than Democrats to be married and attend religious services regularly. They were slightly more likely to have children, but the difference was not statistically significant.[20] Democrats placed more emphasis than Republicans on career success, wealth and having free time, but are not as financially well off.[20] Democrats are more likely than Republicans to believe that outside forces determine success in life, a belief that is associated with lower reported life satisfaction.[20] 59% of Republicans say that people “become rich mainly through their hard work and ambition”; only 35% of Democrats agree. 52% of Democrats say that people “get rich mainly through good connections or being born into it”; 32% of Republicans agree.[20]

Happiness in social networks

A widely-publicized study from 2008 in the British Medical Journal reported that happiness in social networks may spread from person to person.[22] Researchers followed nearly 5000 individuals for 20 years in the long-standing Framingham Heart Study and found clusters of happiness and unhappiness that spread up to 3 degrees of separation on average. Happiness tended to spread through close relationships like friends, siblings, spouses, and next-door neighbors, and the researchers reported that happiness spread more consistently than unhappiness through the network. Moreover, the structure of the social network appeared to have an impact on happiness, as people who were very central (with many friends and friends of friends) were significantly more likely to be happy than those on the periphery of the network. Overall, the results suggest that happiness might spread through a population like a virus.[23][24]

Other correlates

Research has also found that U.S. citizens who identify themselves as “conservative” are more likely to report being “happy” or “very happy” than those who consider themselves to be “liberal.” On both sides of the political spectrum, extremists report being happier than moderates. Parents are more likely to report being happy than non-parents, and religious belief also appears to be positively correlated with happiness.[25][26][27] Happiness is also correlated with the ability to rationalize or explain social and economic inequalities. [28]

Research in the US has found that older Americans are generally happier than younger adults. The effect does not appear to be generational, because longitudinal research found that happiness increased over time for the older people who were studied. While older individuals reported more health problems, they reported fewer problems overall. Young adults reported more anger, anxiety, depression, financial problems, troubled relationships and career stress.[29]

Worldwide findings

The Satisfaction with Life Index. Green = Happiest > Blue > Purple > Orange > Red = Least Happy; Grey = Data not available

The Satisfaction with Life Index is an attempt to show the average self-reported happiness (subjective life satisfaction) in different nations. This is an example of recent trends to use direct measures of happiness, such as surveys asking people how happy they are, as an alternative to traditional measures of policy success to GDP or GNP. There are also several other examples of measures that include self-reported happiness as one variable. Happy Life Years, a concept brought by Dutch sociologist Veenhoven, combines self-reported happiness with life expectancy. The Happy Planet Index combines it with life expectancy and ecological footprint.

Scientific and psychological views

Biological approach

The evolutionary perspective offers an alternative approach to understand what happiness or quality of life is about. Briefly, the questions to be answered are: What features are included in the brain that allows humans to distinguish between positive and negative states of mind, and how do these features improve the survivability of humans? Answering these questions points towards an understanding of what happiness is about and how to best exploit the capacities of the brain with which humans are endowed. The perspective is presented in detail by the evolutionary biologist Bjørn Grinde in his book Darwinian Happiness, as well as in a more formal way.[30]

Positive psychology

Martin Seligman asserts that “pleasures of the moment” typically involve external stimulus.[31] Above, A man laughs as he attempts to balance three birds on himself.

In his book Authentic Happiness, Martin Seligman, one of the founders of positive psychology, describes happiness as consisting of “positive emotions” and “positive activities”. He further categorizes emotions related to the past, present and future. Positive emotions relating to the past include satisfaction, contentment, pride and serenity. Positive emotions relating to the future include optimism, hope and trust. Positive emotions about the present are divided into two categories: pleasure and gratifications. The bodily and higher pleasures are “pleasures of the moment” and usually involve some external stimulus.[31]

Gratifications involve full engagement, flow, elimination of self-consciousness, and blocking of felt emotions. But when a gratification comes to an end then positive emotions will be felt. Gratifications can be obtained or increased by developing signature strengths and virtues. Authenticity is the derivation of gratification and positive emotions from exercising signature strengths. The good life comes from using signature strengths to obtain abundant gratification in, for example, enjoying work and creative activities. The most profound sense of happiness is experienced through the meaningful life, achieved if one exercises one’s unique strengths and virtues in a purpose greater than one’s own immediate goals.

Norman Cousins developed a recovery program incorporating megadoses of Vitamin C, along with a positive attitude, love, faith, hope, and laughter induced by Marx Brothers films. “I made the joyous discovery that ten minutes of genuine belly laughter had an anesthetic effect and would give me at least two hours of pain-free sleep,” he reported. “When the pain-killing effect of the laughter wore off, we would switch on the motion picture projector again and not infrequently, it would lead to another pain-free interval.” He wrote about these experiences in several books.[32][33]

Philosophical views

The Chinese Confucian thinker Mencius, who 2300 years ago sought to give advice to the ruthless political leaders of the warring states period, was convinced that the mind played a mediating role between the “lesser self” (the physiological self) and the “greater self” (the moral self) and that getting the priorities right between these two would lead to sagehood. He argued that if we did not feel satisfaction or pleasure in nourishing one’s “vital force” with “righteous deeds”, that force would shrivel up (Mencius,6A:15 2A:2). More specifically, he mentions the experience of intoxicating joy if one celebrates the practice of the great virtues, especially through music.[34]

About one hundred years later, the Hindu thinker Patanjali, author of the Yoga Sutras, wrote quite exhaustively on the psychological and ontological roots of bliss.[35]

In the Nicomachean Ethics, written in 350 B.C.E., Aristotle stated that happiness is the only emotion that humans desire for its own sake. He observed that men sought riches, or honor, or health, not for their own sake but in order to be happy. Note that eudaimonia, the term we translate as “happiness”, is for Aristotle an activity rather than an emotion or a state.[36] Happiness is characteristic of a good life, that is, a life in which a man or woman fulfills human nature in an excellent way. People have a set of purposes which are typically human: they belong to our nature. The happy person is virtuous, meaning he or she has outstanding abilities and emotional tendencies which allow him or her to fulfill our common human ends. For Aristotle, then, happiness is “the virtuous activity of the soul in accordance with reason”: happiness is the practice of virtue.

Many ethicists make arguments for how humans should behave, either individually or collectively, based on the resulting happiness of such behavior. Utilitarians, such as John Stuart Mill and Jeremy Bentham, advocated the greatest happiness principle as a guide for ethical behavior.

Religious and spiritual views

Explanations of happiness in mystical traditions, especially in advanced spiritual techniques, are related to full balance (conjunction, union, “secret marriage”) of so-called inner energy lines (energy channels of a soul or deepest dimension of the human): nadi (ancient Indian), gimel kavim (Hebrew), pillars, columns, gnostic ophis or caduceus. In balanced state, two main lines (left & right, Ida & Pingala) form a third line, called Shushumna. Speaking technically, (full) activity of this third or central line is happiness. Left and right lines include all aspects of normal human life: sleep and awake, body and mind, physical and spiritual, and so on. To attain balanced state of these two lines is a main task of life—a paradoxical result of all kinds of activities and endeavours combined with full relaxation or tranquility at the same time.[citation needed]

In Catholicism, the ultimate end of human existence consists in felicity (Latin equivalent to the Greek eudaimonia), or “blessed happiness”, described by the thirteenth-century philosopher-theologian Thomas Aquinas as a Beatific Vision of God’s essence in the next life.[37] According to Augustine’s Confessions, he lived much of his life without God. He sinned much and recognized his sinfulness. As a youth, he sinned for its own sake, and later, in the pursuit of a perceived good. When he lost a dear friend to death, it troubled him a lot, and he turned to God for answers. He turned to God to find true happiness and was converted to Christianity. He found that true happiness can only come from a relationship with God and appreciating God’s creation for His sake, and not its own.

Happiness forms a central theme of Buddhist teachings. For ultimate freedom from suffering, the Eightfold Path leads its practitioner to Nirvana, a state of everlasting peace. Ultimate happiness is only achieved by overcoming craving in all forms. More mundane forms of happiness, such as acquiring wealth and maintaining good friendships, are also recognized as worthy goals for lay people (see sukha). Buddhism also encourages the generation of loving kindness and compassion, the desire for the happiness and welfare of all beings.[38][39]

According to the Buddha, “Mind is the forerunner of states of existence. Mind is chief, and (those states) are caused by the mind. If one speaks and acts with a pure mind, surely happiness will follow like one’s own shadow!” In Buddhism, the third of the Four Noble Truths states “to eliminate suffering, eliminate craving,” thus establishing happiness as beyond material and emotional possession and attainable only through an attentive practice leading to extinguishing of craving and aversion.[40]

In economic thought

Common market health measures such as GDP and GNP have been used as a measure of successful policy. Some economists argue that although on average richer nations tend to be happier than poorer nations, beyond an average GDP/capita of about $15,000 a year, studies indicate the average income in a nation makes little difference to the average happiness of the people in the nation.[41][42] It has been argued that happiness measures could be used not as a replacement for more traditional measures, but as a supplement.[43] The accuracy of this “Easterlin paradox” is disputed by other economist

INSPIRATION, Another Muse

Friday, December 5th, 2008

More Songwriters Signed
Category: Music

A productive week in many areas.  We’ve got 2 songwriters finishing up their submission packets.  This is the last piece of work they need do before mailing the CDs & License Agreement off to us.  We then post their songs at the www.Songs2Share.com website, making them available for artists worldwide to license 24/7.  We’ve worked these songs through several revisions.  I am very proud of what my songwriters have accomplished and look forward to the day another artist covers each of these songs, delighting the original songwriters as well!  It’s nice to say you song is being perormed in the U.K., or Austraila or California or Chicago.We’ve got 2 new songwriters just uploaded MP3 song submissions at the website this week.  It’s easy to do songwriters.  Just LOGIN, make a FREE account and you will be directed to the Media Page where you can upload song submissions right there.  We offer a great service to songwriters at no charge.  A FREE critique on a song and the ability to get your songs covered.  Move The Music - Forward is our motto.  That means, get our songs an audience tomorrow.  The more people that here our songs, the better the chance the songs will generate residual income for our songwriters.My partner in our new compnay, S2S Productions which will be videotaping performances of our songs as well as artist interviews and other music related events, bought a new camera this week.  He has just chosen our lighting package.  We’ve optimistic we will be able to put a small cottage we own in town, into service as our production studio and overnight lodging for travelling artists.  This is a great offer to our songwriters and artists as we can access Chicago and the Champaign (Univeristy of Illinois) and Normal (Illinois State University & Weslyan Colleges) areas   all within 1 -2 hours from here.Our new Graphics Deisnger has finished our Trixie for use on apparel, as well as an update to our Trixie here at MySpace.  She is finishing up the new header for the www.Songs2Share website which will have our great Trixie on the front and replace the geometrical musical notes.  Very excited.

I’d like to shoot our first staged music video this month.  Am working on co-ordinating this between videographer, pianist, vocalist and myself.  2 Great songs by 2 great musicians. 

There’s more to report.  I have to get the next Newsletter out shortly.  Keep watching as Songs2Share grows.  Put a twinkle in your creativity!  Peace. ~ Roberta 

Currently reading :
$30 Film School, Second Edition
By Michael W. Dean